8/17/2023 0 Comments Your narrator face rrvealWhy not let him flip through a family album? Think of any photo your character could have hanging on his wall or standing on his nightstand, portraying himself. Now we become less industrial and more human. Some of these surfaces do reflect better than others – so make sure you only go as detailed in your descriptions as is realistic. Likewise, any reflective surface can be used for mirroring fun: Take the window of a train compartment, a shop window, any smooth water surface (whether it’s a lake, a swimming pool or your mom’s bathtub), metal surfaces like pots, sugar boxes of silver, door handles of brass, or any smooth industrially made metal plate like a metal table in a restaurant kitchen or a morgue slab (a pretty combination, right…?). The character could view herself in the bathroom mirror at home or at a restaurant, but there are also many other mirrors in our lives: Think of the rearview mirror of a car, your make-up kit or even a house of mirrors at an amusement park. That’s the obvious one, and it might be a bit overused. Instead, it’s much more rewarding to smuggle information through to your reader carefully interwoven with your story take her by the hand and gently guide her along into your illusion!įor quick reference, I have compiled the most creative and exciting ways to show what your narrating character looks like: Sure, if you are writing your story in first person you could just say: “Hi, I’m Bob, I’m 5’ 7’’, have a greasy ponytail, a porn moustache and mustard stains on my Mickey Mouse t-shirt.” (Wanna meet him, anybody?) That would be very obvious though and also quite boring. And because I know flaws like these can easily be overlooked, you can find a free goodie below the post to help you discover problems with your perspective and any other imaginable part of your story (it uses test questions). If your hero suddenly drops a lot of info about her physique without any rhyme or reason, it can easily look like a bad clutter of information, a huge footprint of the author. This post aims to offer a bunch of solutions for one problem in particular: How do you describe somebody when you can’t see him because you are inside of him, looking out, and you don’t even have a reason to describe him? How can you tell your reader what your character looks like through his own eyes? You can’t switch perspectives and fly from location to location as easily as a neutral narrator, you can’t stay as invisible as a neutral narrator… in short, you lack superpowers! If your narrator is a character in your story, his point of view does come with a couple of limitations though: What your narrator knows, what he sees, what he feels all have to go through the filter of your character’s personality. By Alex Limberg, you like to be an actor in your own crazy play, a play you can make up any minute as you go along? That’s basically what telling your story in first person is.
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